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This is the first full-length musical study of Berlioz to take into account the rediscovered Messe solennelle. Julian Rushton discusses all aspects of his work, without undue emphasis on a few more popular pieces. The first section consists of a comprehensive biography of Berlioz's musical works, tracing shifting patterns of productivity, approaches to genre, and the contrast between works which are aesthetically progressive or retrospective. ...

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Siz de bir müzik deviyle düet yapmanin nasil bir sey oldugunu merak ettiniz mi Simdi zamanda mucizevi bir yolculuk sayesinde Mozartla tanisma firsati yakalayabiliriz. Bu büyük dehanin hossohbet biri oldugunu, bir de pek cok bakimdan biz cok benzedigini kesfedeceksinizYani operalariniz ders verme amaci tasiyor, öyle miEvet, bazilari özellikle bunu amacliyor. Saraydan Kiz Kacirmadaki Pasa intikam atesi ile doludur ve iskence tehditleri savurur, ...

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Each entry in this New Grove series of composers and their operas is based on articles in The New Grove Dictionary of Opera, that feature information on the lives of individual composers, their works, their librettists and interpreters, and the places where they performed. These unique bookscompile the meticulously researched articles into organized narratives, designed to make finding information as easy as possible without sacrificing readab...

A vivid portrait of Mozart, combining a well-reserched account of his life with an introduction to his works: symphonic, chamber, sacred, and theatrical.

Presents musical connections between Britain and the continent of Europe, and Britain and its Empire. This book uses approaches and methods that recognize the integral role of music within a wider culture, including religious, political and social life. The topics range from Italian opera in Dublin to British musicians in Canada, and more.

This is the first publication of Vaughan Williams's earliest substantial work for orchestra, composed 1897-8 and premiered in April 1901. This attractive work already shows evidence of the composer's emerging musical style and sure grasp of orchestral techniques, and publication will be welcomed by all aficionados of his music.

This is the first publication of this early work for orchestra, which was completed in November 1900 and first performed in March 1902. This four-movement work shows evidence of the composer's emerging musical style and sure grasp of orchestral techniques, and publication will be welcomed by all aficionados of his music.

for SATB wordless chorus, viola solo, and orchestraThis suite from 1925 is one of Vaughan Williams' most enigmatic pieces. The chorus never articulates a single word, and instead serves as a section of the orchestra, creating an elegant vocal texture and backdrop to the viola's haunting solo lines.

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Julian Rushton jumps into the debate with this fascinating and readable history, dispensing with the myth, conjecture, and popular iconography that frequently distorts our notions of what Mozart and his times were really like. What emerges is a more human and believable portrait, challenging our preconceptions while deepening our understanding.

for SATB wordless chorus, viola solo, and orchestraThis suite from 1925 is one of Vaughan Williams's most enigmatic pieces. The chorus never articulates a single word, and instead serves as a section of the orchestra, creating an elegant vocal texture and backdrop to the viola's haunting solo lines.

Rushton offers a concise and up-to-date biography of this musical genius, combining a well-researched life of the composer with an introduction to the works--symphonic, chamber, sacred, and theatrical--of one of the few musicians in history to have written undisputed masterpieces in every genre open to composers of his time.

Elgar's Variations for Orchestra, commonly known as the 'Enigma' Variations, marked an epoch both in his career, and in the renaissance of English music at the turn of the century. The first extended study of the work, this Cambridge Music Handbook contains historical information concerning the conception and writing of the work, an extended musical discussion requiring only a little technical knowledge of music, and a fascinating survey of th...

This book examines the complex genesis of Berlioz's Rom o et Juliette as well as the music itself.

Portrays the musical era between 1750 and 1830 against its intellectual and cultural background and describes both its famous and obscure composers.

A study of Mozart's Don Giovanni, one of the best known and most often performed opears of the last 200 years.

This book is an analytical and critical study of Berlioz's unique musical style.